Tag: Nils van der Linden

Bombs Away As One OK Rock Hit Shepherd’s Bush Empire

One OK Rock are, to use a familiar phrase, big in Japan. So big in fact that last summer, across two shows at Shizuoka’s Nagisaen Park, the band played to a total of 110 000 fans. Captured in the forthcoming concert film 2016 Special Live In Nagisaen, the gigs were on the same epic scale as historic live events like Queen at Wembley Stadium or Green Day at Milton Keynes Bowl. Although the quartet haven’t yet achieved such popularity outside their home country, they’re making a real go of becoming “Japan’s first globally recognised band”. Their last three albums...

Read More

Manic Street Preachers Return With International Blue

Manic Street Preachers are back with their first new music in three years. International Blue is the lead single from the Welsh trio’s forthcoming album Resistance Is Futile and spiritually marks a return to their punk-rock roots following the electronic influences that characterised 2014’s Futurology album. “The track itself is carried by the kind of naive energy that powered Motorcycle Emptiness,” admits lyricist Nicky Wire. Adds singer-guitarist James Dean Bradfield, who writes the band’s music with drummer Sean Moore: “Often I just need a great title to set me off. Seeing the word blue struck a chord and set off...

Read More

The Pretty Reckless Run Wild At Brixton Academy

The stage is what makes or breaks a band. There are no do-overs, no overdubs, no ProTools to iron out those imperfections. It’s just you, your songs, and (especially if you’re an opening band) an audience to win over. The Pretty Reckless, who’ve been doing this since 2009, know the score, especially when they’re playing to fans as rabid as Stone Sour’s. So, no time for ballads like You and House On The Hill. Instead, the 50-minute opening set is packed with a succession of their heaviest songs, each performed with a matter of life or death intensity rarely...

Read More

Bad Touch Feel Good At Islington Academy

All bands, if they’re around long enough, reach that point where youthful urgency overlaps with experience. Bad Touch are now in that zone. Currently on their first UK headline tour (“eight years in the making,” as frontman Stevie Westwood puts it), the group have two full-length studio albums and two EPs of material, the skills gained from supporting big names like The Kentucky Headhunters around the country, and the lessons learnt from playing hundreds of shows. But, almost a decade in, they’ve lost none of the unbridled passion and dynamism of their early days as a bar band in...

Read More

Samantha Fish Gets The Voodoo Working At Borderline

Some artists, like AC/DC, specialise in familiarity. Others, like Kate Bush, Bjork, and now Samantha Fish, specialise in surprise. The singer-songwriter-guitarist has been looking beyond her blues base to incorporate elements like Americana, ‘50s rock ‘n roll, vintage R&B, and retro soul into her sound. At this point in her career, all that’s guaranteed are her powerful vocals, expressive guitar playing, and emotional authenticity. “You should always get outside of the box,” she explains. “Challenging yourself is how you grow.” As if to prove her point, this year the Kansas City native’s released not just Chills & Fever (reinterpreting...

Read More

Royal Blood Have It All Figured Out At Alexandra Palace

Following At The Drive-In takes balls, especially when the Texas quintet finish their 45-minute assault with a rendition of One Armed Scissor that’s the sonic equivalent of a napalm attack. But Brighton-based Mike Kerr and Ben Thatcher certainly aren’t lacking in confidence. And rightly so. In the five years since forming Royal Blood the duo have taken their crunching blues riffs and titanic choruses from open-mic nights in Worthington to headlining London’s Alexandra Palace three nights in a row. It’s been a rapid rise, certainly, but gradual enough for the singer-bassist and drummer to scale up their production and...

Read More

Joanne Shaw Taylor Beats The Blues At Royal Festival Hall

Joanne Shaw Taylor is suffering from a cold. But, other than her drinking hot water and honey (not gin, she promises) between songs and an added hint of huskiness to her voice, you wouldn’t know. The singer and guitarist is all energy and smiles as she (sometimes quite literally) bounds through a set that stretches all the way from her 2009 debut White Sugar to last year’s Wild. Three songs from the current release (the swinging Dyin’ To Know, aptly titled all-out rocker Nothing To Lose, and the touching No Reason To Stay) kick off the show, before she...

Read More

Dan Patlansky Offers Style And Substance At Royal Festival Hall

Gone are the leather jacket and checked lumberjack shirt. When Dan Patlansky steps out onto the Royal Festival Hall stage it’s in waistcoat and suit jacket. “As soon as I put on these clothes, I feel like I’m about to to go to work. It changes your headspace a little,” he tells me later. “And also with all these tattoos popping up everywhere,” he gestures towards the intricate inking on his neck, “I love the contrast of wearing something suave.” A less visual, but certainly more important, change is the interplay with his band. For his previous visit to...

Read More

The War On Drugs Live: All Show, No Showing Off

Adam Granduciel is a musical genius. But The War On Drugs’ singer, guitarist, songwriter, producer, and sonic mastermind is not a natural showman. There’s little time for pleasantries, just a few hurried “thank you’s” and one “I’m so psyched to be here”. There’s no waving of arms or pointing at the crowd, so even coming to the front of the stage during one of his fluid guitar solos is completely out of the question. Granduciel’s obviously aware of his self-restraint on stage, telling the Guardian just a few weeks ago he wishes he could “Bono it up a little...

Read More

OMD Get Personal On What Have We Done

OMD, who are currently in the throes of an 18-date UK and Eire tour, have shared the video for their latest single, What We Have Done. The track is the third 12-inch to be released from the duo’s 13th studio album, The Punishment Of Luxury, which entered the UK Album Chart at #4 in September. “The opportunity to combine an abstract aerial aesthetic with human vignettes was not to be missed,” says the band’s Andy McCluskey in describing the video which was shot entirely from a drone’s perspective. “The viewer is a weightless voyeur of landscape and emotional condition.“ The...

Read More

Slowdive Go Deep At Roundhouse

On the excellent Song Exploder podcast, Slowdive singer and guitarist Neil Halstead spends a solid 10 minutes detailing the genesis of Sugar For The Pill. It’s a story of seagulls, effects pedals, layered drums, Wuthering Heights, multiple vocal takes, ProTools experiments, and bubble-wrap that gives a fascinating insight into the group’s meticulous creative process. That attention to detail is equally apparent during a transcendent Roundhouse performance that hinges on the quintet’s ability to create beautiful noise. There’s no long-winded between-song banter, no encouragement of audience participation, just an almost two-hour dreamscape carefully woven from gossamer vocals, ethereal harmonies, inexplicable...

Read More

Third Eye Blind Soak Up The Love At Roundhouse

The equation’s simple. Albums aren’t selling like they did a decade ago. But gig tickets are in higher demand than ever. Therefore, mark the anniversaries of those unit-shifting LPs by playing them live from start to finish. In the past year alone, U2, Manic Street Preachers, Interpol, and even The View have all done it. Now celebrating the 20th anniversary of their six-times platinum self-titled debut album, Third Eye Blind could rightfully add their name to the list. But they haven’t. The slick quintet are so keen to dispel notions of nostalgia that they open their Roundhouse performance with...

Read More

Glenn Hughes Interview: Trust, Openness & No Fear

Glenn Hughes may have lived in California for more than 40 years, but the Black Country will forever be his home. His birthplace of Cannock gave rise to the band Trapeze, which launched a five-decade-and-counting career for the singer and bassist. Stints in Deep Purple and Black Sabbath led to a successful solo career that’s included high-profile collaborations with the likes of Pat Thrall, Tony Iommi, and Red Hot Chili Peppers drummer Chad Smith.   But even though he’d long since swapped the West Midlands for the West Coast, when Hughes, singer-guitarist Joe Bonamassa, drummer Jason Bonham, and keyboard...

Read More

Live: Wildwood Kin @ The Islington

Wildwood Kin are on the verge of something very big. They’ve already had a single playlisted on BBC Radio 2, supported Ward Thomas on a national tour, played Glastonbury, headlined their first London shows, and signed to Sony. And that’s just in the past three months. Now, with their debut LP two weeks away and this momentum already behind them, tonight’s likely the last time they play a venue as intimate as The Islington. Which is as it should be: these songs, and the three young women performing them, deserve to be heard by as many people as possible....

Read More

Christina Martin, Old Memories New Perspective Interview

Canadian singer-songwriter Christina Martin has spent the past 15 years carving out a solo career that, across six albums, has seen her perfect a musical style that pairs an Americana-rock sound with lyrics that are personal, yet universal. Her latest single, Lungs Are Burning, from her upcoming LP (expected in November 2017) is a case in point. An irrepressibly catchy song with an irresistible chorus, it conveys her reaction to the Fentanyl drug crisis that’s killed thousands of Canadians. It’s one of the songs she’s been performing on her latest UK tour. Just before her recent show at The...

Read More

Live: Midnight Oil @ Hammersmith Apollo

“We spent more time on this setlist than most people did thinking about how to vote on Brexit,” says Midnight Oil frontman Peter Garrett towards the beginning of the band’s first London show in 20 years. Initially it seems like a throwaway joke from the former government minister and lifelong activist. But he’s clearly not kidding. Like crafting the perfect mixtape, they’ve picked the right songs in the right sequence for the biggest impact. Blistering set opener Redneck Wonderland easily fulfils its purpose, getting the punters up and and out of their seats within the first 15 seconds. Originally...

Read More

Live: Spoon @ Forum Kentish Town

It’s midway through Spoon’s set at Forum Kentish Town. A fired up Britt Daniel has just led the band, backlit in orange, through a ferociously jubilant Do You. Multi-instrumentalist Alex Fischel begins a moody keyboard piece that gradually swells to Sigur Ros levels of intensity. As Gerardo Larios joins in on organ, the instrumental slowly shifts again, culminating in his playing the unmistakable melody of I Ain’t The One alone. And somewhere from the shadows Daniel croons the opening verse, his earlier swagger now all restraint and composure. Together, he and Larios hypnotise the audience with silences and subtleties,...

Read More

Live: Jon Stevens @ Borderline

Jon Stevens rose to fame in the 1980s, the decade when more was most definitely more. Over 30 years later, he’s still got the same mindset. Instead of just one London gig, the Australian rock legend is playing five across the city. And, although the venues are far more intimate than those he’s used to, don’t for one second think he’s scaled back. He’s brought the full band who supported him at the Isle of Wight Festival, even though they struggle to fit on the Borderline stage. He’s brought a team of audio and lighting engineers so, although the...

Read More

Live: Chris Shiflett @ The Water Rats

Chris Shiflett grew up in Santa Barbara, California. His childhood idols were Kiss. He first gained attention as a member of punk band No Use For A Name. And for almost two decades he’s been the Foo Fighters’ lead guitarist. Yet, over the past five years, the musician with such bonafide rock credentials has been beating a path down to Nashville (the city not the TV show) on three solo albums. The latest, West Coast Town, is his most authentic yet. Recorded in the city’s legendary RCA Studio A with Chris Stapleton’s producer Dave Cobb, its classic country sound is...

Read More

Live: Simple Plan @ Kentish Town Forum

Simple Plan know what a noisy, sweaty old-school rock show needs. The psyched audience scream on command. The showman singer likes to leap off the monitors, continually whips the crowd up into a frenzy, and suddenly appears at the mixing desk. The wild drummer stage dives and crowd surfs. Fog blasters and streamer cannons go off with wild abandon. Bras are thrown up onto the stage. T-shirts and giant beach balls get lobbed into the crowd (complete with a “playing with my balls” joke from the frontman). And the band unleash one riotous punk anthem after another. Tonight the...

Read More
  • 1
  • 2

NO SECOND THOUGHTS

CENTURY CITY

YOU TELL ME

SPOTIFY DISCOVER

Anything That’s Rock n Roll



WALLS

Link Categories




Security