Tag: Nils van der Landen

Stone Sour Are Fabuless At Brixton Academy

Corey Taylor was 24 when he joined Slipknot. Now he’s 44 and wondering out loud in interviews how much longer his body can meet the physical demands of fronting metal’s most energetic live band. Based on his performance with his other band, Stone Sour, the singer won’t be packing away that Leatherface mask just yet. From the second he bounds on to the sound of 5,000 people chanting “Corey! Corey! Corey!” he’s like an adrenaline shot to the heart. Whether he’s racing across the stage, leaping up onto the platforms dotted around the set, or preaching about the unifying,...

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Benjamin Clementine Lays Down A Challenge At Brixton Academy

  Benjamin Clementine knows the conventions that live gigs follow. “I play, you clap,” he observes at one point during his Brixton Academy performance. So the hits from his 2015 Mercury Prize-winning debut, At Least For Now, get an airing. A generous selection of tracks from its ambitious, experimental follow-up I Tell A Fly, are slipped into the set. There’s audience participation. There’s between-song conversation. And of course there’s an encore.   But the self-described expressionist whose latest album started out as a theatre piece about two romantically entangled flies exploring the world, isn’t one for blindly following those...

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Live: Dan Patlansky @ Islington Academy 2

Guitarists are not unlike magicians – a lot of practice and work goes into making it look easy. But Dan Patlansky is clearly not one for cheap magic tricks. He pours so much passion and intensity into his performances that how he plays is as powerful as what he plays. Not just his face, but his posture changes whenever he teases, cajoles, or downright strangle’s the at-times incomprehensible notes out of his trusty 1962 Fender Stratocaster. That guitar – and Patlansky’s entire body – gets a full workout during his visceral, sold-out London show that begins quietly with a...

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Live: Erja Lyytinen @ 100 Club

Erja Lyytinen is a phenomenal guitarist. That’s a given. Not just technically brilliant – capable of playing with speed and precision, able to imbue every solo with unique character and tone – she has an edge over many other virtuosos: the ability to cram so much tangible emotion into six strings. So when she delivers the cascading, intensifying instrumental break of the magnificent Black Ocean, it’s as if she’s actually reliving the same dark feelings that went into lyrics like “I need some peace/ Please hear my call”. The jaw-dropping how-did-she-do-that slide solo of swampy Koko Taylor reimagination I’m A...

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